It could have looked like shop windows on Fifth Avenue at Christmas, but because of the way that Andrew connected with the McQueen team, he was channeling the rawness and the brilliance of McQueen, and the show was quite transcendant, and it became a phenomenon in its own right.

Three months after that, I did my first runway show for Alexander McQueen on a pair of hand carved wooden legs made from solid ash.

So this magazine, through the hands of graphic designer Peter Saville, went to fashion designer Alexander McQueen, and photographer Nick Knight, who were also interested in exploring that conversation.

In the late spring, early summer of 2010, shortly after McQueen's suicide, our curator of costume, Andrew Bolton, came to see me, and said, I've been thinking of doing a show on McQueen, and now is the moment. We have to, we have to do it fast.

When people are happy to be at a company, feel their voices are heard, and that the work they are doing is rewarding, they are more committed to making that company successful, said Nina McQueen, vice president of global benefits and employee experience at LinkedIn, which uses both Convercent and Glint.

And that, to me, today, is now the challenge and the fun of my job, supporting the vision of my curators, whether it's an exhibition of Samurai swords, early Byzantine artifacts, Renaissance portraits, or the show we heard mentioned earlier, the McQueen show, with which we enjoyed so much success last summer.

As the director of the Metropolitan Museum of Art in New York, Thomas P. Campbell thinks deeply about curating not just selecting art objects, but placing them in a setting where the public can learn their stories. With glorious images, he shows how his curation philosophy works for displaying medieval tapestries and for the over the top fashion art of Alexander McQueen.

It wasn't easy. McQueen had worked throughout his career with a small team of designers and managers who were very protective of his legacy, but Andrew went to London and worked with them over the summer and won their confidence, and that of the designers who created his amazing fashion shows, which were works of performance art in their own right, and we proceeded to do something at the museum, I think, we've never done before.