There's a piece by a composer, an American composer called John Cage.

Screenshot Composer

Subtitle Composer

A Mexican composer Arturo Marquez.

Who is your favorite composer?

He is a famous composer.

It's by Astor Piazzolla, an Argentine composer.

I'm a composer, orchestrally trained, and the inventor of the AlloSphere.

It's called Abegg Variations, by Robert Schumann, a German 19th century composer.

Its composer called Debussy said that art was the greatest deception of all.

Or the recipe for the ultimate jaw dropping TEDTalk Flickr photos of intergalactic classical composer.

In fact, that was a piece by Beethoven, and so I was not functioning as a composer.

And I find myself now in the unlikely position of standing in front of all of you as a professional classical composer and conductor.

And Hofmann is a Polish pianist and composer of the late 19th century, and he's widely considered one of the greatest pianists of all time.

So, turned out he's a fantastic composer, and over the last few years has been a constant collaborator of ours. He has made many, many pieces.

Pianist and composer Jennifer Lin gives a magical performance, talks about the process of creativity and improvises a moving solo piece based on a random sequence of notes.

So, I commissioned a wonderful composer, Nico Muhly, who wrote nine songs using the text, and we performed this fantastic evening of he wrote music for both amateurs and professionals.

Now, some of my scores as a composer look like this, and others look like this, and some look like this, and I make all of these by hand, and it's really tedious.

Anyway, I was really delighted to receive the invitation to present to you some of my music and some of my work as a composer, presumably because it appeals to my well known and abundant narcissism.

Now my parting shot comes courtesy of the great Joseph Haydn, wonderful Austrian composer in the second half of the 18th century spent the bulk of his life in the employ of Prince Nikolaus Esterhazy, along with his orchestra.

Tod Machover of MIT's Media Lab is devoted to extending musical expression to everyone, from virtuosos to amateurs, and in the most diverse forms, from opera to video games. He and composer Dan Ellsey shed light on what's next.

Now an improviser senses and plays the next cool move, but a composer is considering all possible moves, testing them out, prioritizing them out, until he sees how they can form a powerful and coherent design of ultimate and enduring coolness.

So, but the thing is, a dilemma quickly arose, and that is that I'm really bored with music, and I'm really bored with the role of the composer, and so I decided to put that idea, boredom, as the focus of my presentation to you today.

So we met Dan about three years ago, three and a half years ago, when we started working at Tewksbury. Everybody we met there was fantastic, did fantastic music. Dan had never made music before, and it turned out he was really fantastic at it. He's a born composer.

In 1966, a year before Israeli paratroopers ostensibly united Jerusalem, the composer Naomi Shemer sang of, the city that sits solitary, and in its heart a wall. Today, the wall dividing Jerusalem is not made of concrete or brick but that does not make it any less real.

Tofu , a 3D animated feature film designed for a general audience held its premiere in Wuhan on the 25th. Zou Yi, Director of Tofu , Meng Zhihui, Animation Director of Tofu , as well as Tom Disher, film soundtrack composer and Emmy Award winner were present to share their behind the scenes story of the film s creation.

In a moving and madly viral video last year, composer Eric Whitacre led a virtual choir of singers from around the world. He talks through the creative challenges of making music powered by YouTube, and unveils the first 2 minutes of his new work, Sleep, with a video choir of 2,052. The full piece premieres April 7 .

And I'm going to share my music with you, but I hope that I'm going to do so in a way that tells a story, tells a story about how I used boredom as a catalyst for creativity and invention, and how boredom actually forced me to change the fundamental question that I was asking in my discipline, and how boredom also, in a sense, pushed me towards taking on roles beyond the sort of most traditional, narrow definition of a composer.