So you can basically program any three dimensional shape or one dimensional, two dimensional up into this chain completely passively.

It collapses into a three dimensional shape that turns it into a nanomachine that actually cuts DNA.

Three dimensional shapes and the space they create in the middle creates a new shape, the answer to the sum.

If we continue through the entire stack, we can reconstruct the three dimensional shape of a small fragment of a branch of a neuron.

And then you can either cut that out and sew it conventionally, or you can use the wet material to form it around a three dimensional shape.

Stereochemistry is the study of three dimensional chemistry, as essentially understanding the actual three dimensional structure of things.

Well, we take this three dimensional stack of images and treat it as a gigantic three dimensional coloring book.

Now, take into account the fact that we live in a three dimensional universe, OK, a three dimensional space.

It s truly a three dimensional space.

This is a three dimensional machine.

So it becomes slightly three dimensional.

So now I'm going to show you a number of projects that we've built, from one dimensional, two dimensional, three dimensional and even four dimensional systems.

Freeflying is more the three dimensional skydiving.

But their three dimensional orientation is still different.

Or you could go into three dimensional art.

And we're also translating that into two dimensional systems so flat sheets that can self fold into three dimensional structures.

And it randomly generates points within a three dimensional matrix.

They can be planar formations, they can be three dimensional formations.

Middle board of this three dimensional chess game economic power among states.

Cars are three dimensional objects that have a fixed position and velocity.

The musicians played off a three dimensional graph of weather data like this.

And that life enjoys a three dimensional existence, which is alien to us.

The musicians played off a three dimensional graph of weather data like this.

So you can actually visit and have this three dimensional fictional experience there.

So, this is quantum locking actually locking three dimensional locking of the superconductor.

Which is, what happens if these two, three dimensional worlds should actually collide?

I turn them into two and three dimensional pieces and sculptures and installations.

And now it starts moving in three dimensional space so up or down.

So it's a deep think about it in a big three dimensional space, very deep three dimensional space with herds of tuna, whales, all kinds of deep sea marine life like we've seen here before.

One idea is that our three dimensional universe may be embedded in a high dimensional space, just as you can imagine on these sheets of paper.

The pattern of this shape living in eight dimensional charge space is exquisitely beautiful, and it summarizes thousands of possible interactions between these elementary particles, each of which is just a facet of this complicated shape.

So the next picture shows you the three dimensional version of this rotating around.

We use three dimensional imagining analysis, but we actually created these biomaterials by hand.

The strange one looks likes this that we live in a three dimensional world.

And basically, the concept is, how do you represent the three dimensional image of the night sky that surrounds us onto a flat, portable, two dimensional surface.

And the power of Galois' mathematical language is it also allows us to create symmetrical objects in the unseen world, beyond the two dimensional, three dimensional, all the way through to the four or five or infinite dimensional space.

You place it in a science museum, it becomes a three dimensional visualization of data.

We live in a three dimensional world we might as well use the third dimension.

As you can see here, they collapse from a three dimensional formation into planar formation.

You place it in a science museum, it becomes a three dimensional visualization of data.

Kismet has an underlying, three dimensional emotional space, a vector space, of where it is emotionally.

A monkey's brain must have software capable of simulating a three dimensional world of branches and trunks.

And the interesting thing is that if you change the sequence, you change the three dimensional folding.

It's also more than cataloging because you actually have to build three dimensional digital models of them.

And a tiny distance away, there's another sheet, also three dimensional, and they're separated by a gap.